来自奥系第一女神棍傻傻：
It is an astonishing thing, to imagine a time when women weren’t valued enough to be given government over their own rights. It took them so long, and it continues to take them so long, because to fight takes sacrifices that are near impossible to make. Fighting and protesting means being exiled, alienated, hated. You see it today on the internet where misogyny reigns supreme. You see it from both men and women, always with the message: shut up and sit down. It would then be easy to turn Suffragette into an angry screed, but Gavron isn’t so much interested in finding the anger. These women do not have the luxury of showing anger because they are in enough trouble as it is.
Mulligan plays a good wife and mother who works in a laundry, suffers sexual harassment, long hours and much less pay than her male counterparts. She is reluctant to join the movement until the movement becomes too big — and the injustices too obvious to ignore. She joins a group of women who are fighting for the vote – the right to say they are worth “no more and no less” than men. This is a film about what Mulligan’s character endures on the treacherous path to equality.

女配篇：
The supporting cast are all top notch, including Helena Bonham Carter, Romola Garai, and Anne-Marie Duff. Each one of them more than capable of having better parts and better roles written for them. With so much talent packed in, it is a reminder of how few films like this exist anywhere. Telluride is unleashing the full force of the feminine this season, with this film, He Named Me Malala and Carol. They are about empowerment that means more than finding oneself on a spiritual journey. These are some of the forces that oppressed and continue to oppress women all over the world, including Hollywood.

梅姑篇，似乎只有五分钟的戏
Meryl Streep – who was at the premiere, received a standing ovation. She had maybe five minutes of screen time but Streep knows full well what a movie like this means. Produced, written, directed by and starring women, this isn’t one the Oscars can pass by and sleep at night. The direction is unpredictable, moody and never goes for the easy emotional cheat. That one big crescendo is absent here, and in its place what is meant to be read as an ongoing struggle for women’s rights. One need only look at the presidential election to see how women are both on the precipice of equality and at the same time judged by a different standard, still measured by what they look like and whether or not they smile.

服装与配乐
The costume design by Jane Petrie recalls an authentic, dirty London lifestyle that matches well with the no-makeup look of the film’s stars and the gritty cinematography by Eduard Grau. Once again, Alexandre Desplat outdoes himself with one of the film’s best assets – it’s suspenseful score.

总结陈词：
Indeed, Suffragette will be one of the year’s best films not because it makes you beat your chest and celebrate women having won a hard-fought battle but because it may be one of the few films on the subject that makes it point by showing what women had to go through on a person level. It is Mulligan’s story but how many more women like her were punished for even thinking about wanting more.
Gavron is a relative newcomer with feature films but finds in Mulligan the perfect focal point. She could have told this story when any actress in the lead and it would have been good. With Mulligan in the lead the film becomes great. It becomes great because Gavron immerses fully in this world – we can smell it, we can taste it, we can feel it wrap tightly around our necks until we want to scream. Suffragette is a master work.
女权主义的赞歌，穆里根让电影更出色。

awardscircuit的影评：3/4
For the second time today, Meryl Streep was on hand for a showing I was at, this time for her own film, Suffragette. Director Sarah Gavron was there to introduce the film, which she explained took a long journey to complete. Her producers, screenwriter Abi Morgan (Shame, The Iron Lady), and, of course, Meryl Streep, were all brought on stage for her to praise before the world premiere.
Set at the precipice of the women’s rights movement, Suffragette tells the true story of feminist pioneer Maud Watts, played with infallible fervor by the great Carey Mulligan. Watts and her group of working women live under an unfair government where they not only do not have the right to vote, but also suffer far more unreasonable laws. When their peaceful protests go unheard, the next step must be taken to set things right. As their revolt becomes a violent insurgence, the women must decide whether to push forward, even if it means losing everything that matters most.
Suffragette is a well put together film. Shot against the backdrop of early 20th century England, Gavron does an excellent job of making you feel a part of that era. The production design, costumes, and – most notably – score, are all top notch. Composer Alexandre Desplat could very well land himself a ninth nomination for his resplendent work, which shifts from nuanced melancholy to a voracious tension.
The film is an important one, terse and poignant, and with Hillary Clinton possibly becoming our nation’s first female President, it manages to hit the zeitgeist a bit as well. However, there is something missing in the final act that keeps the Suffragette from being a complete success, and without wanting to spoil anything, the film feels a little ascetic in the end, missing what could be that one final great scene to culminate what Gavron and her team set out to do.
优点不再重复，缺点在于结尾处理的过于克制。

timeout london：4/5
It’s a tremendous, awards-worthy performance from Mulligan. The film plays out in her eyes. You see the emotion flicker in her face as Maud wakes up and finds her voice. The rest of the cast is excellent too – including Anne-Marie Duff as a gobby suffragette working in the laundry and Helena Bonham Carter as a pharmacist cooking up homemade bombs. Meryl Streep makes a brief cameo as Emmeline Pankhurst, wanted by the police but popping up to rally the troops from a London balcony. It’s perfect casting – Streep sprinkling stardust as Mrs P awes her followers
On the sidelines, there are male suffragettes and women-hating men: ‘The police are bringing these bitches to their knees,’ snarls one, sounding every bit like a Twitter troll. And the film has a point too about the people-pleasing impulse still drummed into little girls a century later: don’t make trouble, avoid attention, be a good girl. But as Mrs Pankhurst says in her balcony speech: better to be a rebel than a slave.

screendaily：
Mulligan gives Maud equal measures of dignity and desperation and avoids over-playing her hand throughout. It’s a stripped-down, naked performance, as is that of Anne-Marie Duff. Those expecting (or led to expect, from the posters) Meryl Streep to turn out for her Iron Ladywriter Abi Morgan with a barnstorming pivotal performance will be disappointed, as the actress is restricted to one Eva Peron-like balcony sequence. Instead Helena Bonham Carter steps out of some of her more recent exaggerated roles to play the chemist Edith, a more typically middle-class activist of the Suffragette movement than Maud or Violet. Interestingly Bonhan Carter is the great-grandaughter of Lord Asquith, prime minister at the time of the events depicted onscreen.

Brie Larson主演的Room反响也还可以。

《综艺》的新闻标题：
Telluride: Carey Mulligan Is the Main Asset in ‘Suffragette’
Mulligan holds the film together, as she depicts the transformation from mousy young woman to firebrand. She is in nearly every scene, clearly conveying the character’s growing conviction, despite many setbacks. And she has three big “money” scenes that are emotional and heartfelt, which is always a good combination during an awards push.
不提才怪的节奏