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【88】Suffragette首波评价出街

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刚刚在Telluride进行了全球首映,梅姑亲临现场。


IP属地:浙江1楼2015-09-05 12:39回复


    IP属地:北京来自Android客户端2楼2015-09-05 12:41
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      前排


      IP属地:美国来自Android客户端3楼2015-09-05 12:41
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        IP属地:山东来自Android客户端4楼2015-09-05 12:53
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          前排厚


          来自Android客户端5楼2015-09-05 12:55
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            IP属地:北京来自iPad6楼2015-09-05 12:56
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              毒瘤以其夸张的表演成功抢戏,引发现场阵阵窃笑。


              IP属地:安徽来自Android客户端7楼2015-09-05 12:58
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                来自奥系第一女神棍傻傻:
                It is an astonishing thing, to imagine a time when women weren’t valued enough to be given government over their own rights. It took them so long, and it continues to take them so long, because to fight takes sacrifices that are near impossible to make. Fighting and protesting means being exiled, alienated, hated. You see it today on the internet where misogyny reigns supreme. You see it from both men and women, always with the message: shut up and sit down. It would then be easy to turn Suffragette into an angry screed, but Gavron isn’t so much interested in finding the anger. These women do not have the luxury of showing anger because they are in enough trouble as it is.
                Mulligan plays a good wife and mother who works in a laundry, suffers sexual harassment, long hours and much less pay than her male counterparts. She is reluctant to join the movement until the movement becomes too big — and the injustices too obvious to ignore. She joins a group of women who are fighting for the vote – the right to say they are worth “no more and no less” than men. This is a film about what Mulligan’s character endures on the treacherous path to equality.


                IP属地:浙江9楼2015-09-05 13:18
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                  有传闻说很平庸,是真的吗


                  来自iPhone客户端10楼2015-09-05 13:18
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                    童姥的表演赞美段,生涯最佳说初现
                    Gavron holds Mulligan’s face in tight closeup through the film, rarely pulling back for long shots. No director has ever done that with this actress so that what appears as vulnerability throughout her work is transformed here as inner strength that only the camera can catch when pulled in close. With her half smile, her heavy lidded sad eyes, Mulligan’ Maud Watts is her best performance to date. Mulligan is the reason to see this film and is the thing that will make this film impossible to ignore come awards time. She carries it the way women used to back when they were given these kinds of opportunities.


                    IP属地:浙江11楼2015-09-05 13:19
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                      女配篇:
                      The supporting cast are all top notch, including Helena Bonham Carter, Romola Garai, and Anne-Marie Duff. Each one of them more than capable of having better parts and better roles written for them. With so much talent packed in, it is a reminder of how few films like this exist anywhere. Telluride is unleashing the full force of the feminine this season, with this film, He Named Me Malala and Carol. They are about empowerment that means more than finding oneself on a spiritual journey. These are some of the forces that oppressed and continue to oppress women all over the world, including Hollywood.


                      IP属地:浙江12楼2015-09-05 13:19
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                        梅姑篇,似乎只有五分钟的戏
                        Meryl Streep – who was at the premiere, received a standing ovation. She had maybe five minutes of screen time but Streep knows full well what a movie like this means. Produced, written, directed by and starring women, this isn’t one the Oscars can pass by and sleep at night. The direction is unpredictable, moody and never goes for the easy emotional cheat. That one big crescendo is absent here, and in its place what is meant to be read as an ongoing struggle for women’s rights. One need only look at the presidential election to see how women are both on the precipice of equality and at the same time judged by a different standard, still measured by what they look like and whether or not they smile.


                        IP属地:浙江13楼2015-09-05 13:20
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                          服装与配乐
                          The costume design by Jane Petrie recalls an authentic, dirty London lifestyle that matches well with the no-makeup look of the film’s stars and the gritty cinematography by Eduard Grau. Once again, Alexandre Desplat outdoes himself with one of the film’s best assets – it’s suspenseful score.


                          IP属地:浙江14楼2015-09-05 13:21
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                            总结陈词:
                            Indeed, Suffragette will be one of the year’s best films not because it makes you beat your chest and celebrate women having won a hard-fought battle but because it may be one of the few films on the subject that makes it point by showing what women had to go through on a person level. It is Mulligan’s story but how many more women like her were punished for even thinking about wanting more.
                            Gavron is a relative newcomer with feature films but finds in Mulligan the perfect focal point. She could have told this story when any actress in the lead and it would have been good. With Mulligan in the lead the film becomes great. It becomes great because Gavron immerses fully in this world – we can smell it, we can taste it, we can feel it wrap tightly around our necks until we want to scream. Suffragette is a master work.
                            女权主义的赞歌,穆里根让电影更出色。


                            IP属地:浙江15楼2015-09-05 13:22
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