附上剧本最后一段:
Henry shoves the barrel of the revolver into his mouth.SAMPlease don't. Please--CLOSE on Henry.He pulls the trigger.FADE TO WHITEVery bright. People in the theater should be shielding theireyes.As we fade in we see that the bright light is actually asmall flashlight, shining directly into the camera.SAM (O.S.) (CONT'D)He's still alive.The camera pulls back to show Henry lying on his back on thewalkway, blood streaming from his head. Sam is crouchedbeside him, holding one of his wrists. In his other hand, Samholds a small flashlight, which he shines in Henry's eyes.Sam is not wearing his navy-blue cable-knit sweater, thoughhe was before Henry shot himself.The camera pulls back farther. This is the Brooklyn Bridgebut this is not the scene we just left., A Ford Mustang hasjust been in a terrible collision.There is a gaping hole in the windshield on the driver'sside. Flames consume the backseat. Smoke spills out thewindows. The radio still plays, however: The Band's "I Shallbe Released."99.One of the Mustang's front tires has blown out. Scraps ofblack rubber litter the accident scene.ATHENA is kneeling next to Henry, on the opposite side ofSam, holding Henry's other hand.Henry's arms are burned and lacerated from the accident.Other cars have stopped short of the Mustang. All Manhattanboundtraffic has come to a halt. From the distance, we hearthe blaring of horns.ATHENA(in shock)He's okay, right? He's going to beokay?Sam leans closer to the injured man, so that his face ishovering right above Henry's.Henry's eyes are open. He appears able to see, but he'slosing a tremendous amount of blood. It puddles below him onthe asphalt, deep red in the bridge's incandescent lights.SAM(to the gathering crowd)We need an ambulance! Somebody callan ambulance!He begins to unbutton his shirt. BETH LEVY gets out of astopped car and hurries over. She wears the navy-blue cableknitSWEATER, which she now quickly shrugs out of and handsto Sam.BETHHere, use this.Sam bundles the sweater and presses it against the deep,unseen gash on Henry's head.BETH (CONT'D)I just called 911. They're on theway.HENRY(to Athena)Hold this--He has Athena hold the sweater to staunch the bleeding.100.ATHENA(to Henry)Stop bleeding, baby. Okay? You'vegot to stop bleeding now.Sam pinches Henry's nostrils and blows into his mouth to makesure the airways are clear.SAMHe's breathing. Hold that tight.Sam goes to check on the other two casualties. The first, anold man, lies halfway out of one of the rear windows. Samchecks his pulse. Nothing.Sam shakes his head and walks around to the other side of thecar, but we PULL IN for a closer look at the old man.It's LEON. Blood leaks from his nostrils and mouth.On the other side of the car lies MRS. LETHAM, face up, eyesopen. Blood streams down her face from a massive head wound.Sam checks her pulse as well, but it's obvious she's dead.Sam closes her eyelids, hurries back to Henry, and crouchesbeside him.ATHENAHis mom and dad? Are they okay?SAMThey're both gone.CLOSE ON HENRY'S EYES. We can tell that he has registeredthis news.For a moment the frames projected on screen slow from their24-per-second clip and then melt away entirely. The whitescreen is replaced by a shot we've seen before: Henry, aloneon the empty bridge, walking from the burning Mustang.The vision disappears as quickly as it appeared, and we'reback at the accident scene, watching Sam trying desperatelyto save Henry.In the backseat of one of the stopped cars, a BABY, strappedinto its baby seat, HOWLS and howls.A crowd has gathered around the accident scene. From thenearest cars come the drivers and their passengers, circlingaround Henry.The strange thing is that we recognize all of them.101.The Englishman and his wife. Sheriff Kennelly (not inuniform). A young woman we last saw on the subway, askingHenry about his Spanish Art class, and the businessman whowanted him to quit smoking. Dr. Schlegel and the burlyparamedics (not in uniform). A middle-aged Filipino wearing aMets cap. The various waitresses and cooks we saw in thediners. Devon. Smitty. The Muslim woman in full veil. Thebartender from the White Horse Tavern. A crew of blondetourists standing together. The piano movers.The boy with the red balloon and his mother.BOYMommy, is that man going to die?Lila rushes over to Sam, Athena and Henry.LILAI'm a nurse.SAMAll right, keep tabs on his pulse.If it stops we'll have to startCPR.Lila grabs Henry's wrist and checks his pulse against herwatch.SAM (CONT'D)(to Athena)What's his name?ATHENAHenry.SAMCan you hear me, Henry? Henry? I'ma doctor, I'm going to help
Henry shoves the barrel of the revolver into his mouth.SAMPlease don't. Please--CLOSE on Henry.He pulls the trigger.FADE TO WHITEVery bright. People in the theater should be shielding theireyes.As we fade in we see that the bright light is actually asmall flashlight, shining directly into the camera.SAM (O.S.) (CONT'D)He's still alive.The camera pulls back to show Henry lying on his back on thewalkway, blood streaming from his head. Sam is crouchedbeside him, holding one of his wrists. In his other hand, Samholds a small flashlight, which he shines in Henry's eyes.Sam is not wearing his navy-blue cable-knit sweater, thoughhe was before Henry shot himself.The camera pulls back farther. This is the Brooklyn Bridgebut this is not the scene we just left., A Ford Mustang hasjust been in a terrible collision.There is a gaping hole in the windshield on the driver'sside. Flames consume the backseat. Smoke spills out thewindows. The radio still plays, however: The Band's "I Shallbe Released."99.One of the Mustang's front tires has blown out. Scraps ofblack rubber litter the accident scene.ATHENA is kneeling next to Henry, on the opposite side ofSam, holding Henry's other hand.Henry's arms are burned and lacerated from the accident.Other cars have stopped short of the Mustang. All Manhattanboundtraffic has come to a halt. From the distance, we hearthe blaring of horns.ATHENA(in shock)He's okay, right? He's going to beokay?Sam leans closer to the injured man, so that his face ishovering right above Henry's.Henry's eyes are open. He appears able to see, but he'slosing a tremendous amount of blood. It puddles below him onthe asphalt, deep red in the bridge's incandescent lights.SAM(to the gathering crowd)We need an ambulance! Somebody callan ambulance!He begins to unbutton his shirt. BETH LEVY gets out of astopped car and hurries over. She wears the navy-blue cableknitSWEATER, which she now quickly shrugs out of and handsto Sam.BETHHere, use this.Sam bundles the sweater and presses it against the deep,unseen gash on Henry's head.BETH (CONT'D)I just called 911. They're on theway.HENRY(to Athena)Hold this--He has Athena hold the sweater to staunch the bleeding.100.ATHENA(to Henry)Stop bleeding, baby. Okay? You'vegot to stop bleeding now.Sam pinches Henry's nostrils and blows into his mouth to makesure the airways are clear.SAMHe's breathing. Hold that tight.Sam goes to check on the other two casualties. The first, anold man, lies halfway out of one of the rear windows. Samchecks his pulse. Nothing.Sam shakes his head and walks around to the other side of thecar, but we PULL IN for a closer look at the old man.It's LEON. Blood leaks from his nostrils and mouth.On the other side of the car lies MRS. LETHAM, face up, eyesopen. Blood streams down her face from a massive head wound.Sam checks her pulse as well, but it's obvious she's dead.Sam closes her eyelids, hurries back to Henry, and crouchesbeside him.ATHENAHis mom and dad? Are they okay?SAMThey're both gone.CLOSE ON HENRY'S EYES. We can tell that he has registeredthis news.For a moment the frames projected on screen slow from their24-per-second clip and then melt away entirely. The whitescreen is replaced by a shot we've seen before: Henry, aloneon the empty bridge, walking from the burning Mustang.The vision disappears as quickly as it appeared, and we'reback at the accident scene, watching Sam trying desperatelyto save Henry.In the backseat of one of the stopped cars, a BABY, strappedinto its baby seat, HOWLS and howls.A crowd has gathered around the accident scene. From thenearest cars come the drivers and their passengers, circlingaround Henry.The strange thing is that we recognize all of them.101.The Englishman and his wife. Sheriff Kennelly (not inuniform). A young woman we last saw on the subway, askingHenry about his Spanish Art class, and the businessman whowanted him to quit smoking. Dr. Schlegel and the burlyparamedics (not in uniform). A middle-aged Filipino wearing aMets cap. The various waitresses and cooks we saw in thediners. Devon. Smitty. The Muslim woman in full veil. Thebartender from the White Horse Tavern. A crew of blondetourists standing together. The piano movers.The boy with the red balloon and his mother.BOYMommy, is that man going to die?Lila rushes over to Sam, Athena and Henry.LILAI'm a nurse.SAMAll right, keep tabs on his pulse.If it stops we'll have to startCPR.Lila grabs Henry's wrist and checks his pulse against herwatch.SAM (CONT'D)(to Athena)What's his name?ATHENAHenry.SAMCan you hear me, Henry? Henry? I'ma doctor, I'm going to help